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The salesman

The Salesman Eine Hinterlassenschaft, die Ärger macht

Der Lehrer Emad und seine Frau Rana müssen ihr baufälliges Haus in Teheran verlassen und ziehen in ein Appartement. Dort wird Rana eines Abends von einem fremden Mann überfallen und verletzt. Es stellt sich heraus, dass die vorherige Mieterin der. The Salesman (Originaltitel: persisch فروشنده Forūšande) ist ein oscarprämiertes Drama des iranischen Regisseurs Asghar Farhadi aus dem Jahr Leidenschaftlich gespielt und filigran erzählt: Der iranische Film "The Salesman" von Asghar Farhadi. The Salesman (Forushande) [dt./OV]. (48)IMDb h 3minX-Ray6. Ausgezeichnet mit dem Oscar als Bester fremdsprachiger Film! Fluchtartig. Nach Nader und Simin wurde der iranische Regisseur Asghar Farhadi für das ambivalente und präzise beobachtete Beziehungsdrama The Salesman

the salesman

The Salesman (Originaltitel: persisch فروشنده Forūšande) ist ein oscarprämiertes Drama des iranischen Regisseurs Asghar Farhadi aus dem Jahr The Salesman (Forushande) [dt./OV]. (48)IMDb h 3minX-Ray6. Ausgezeichnet mit dem Oscar als Bester fremdsprachiger Film! Fluchtartig. Zum Glück weiß ein Bekannter Rat, mit dem die beiden gerade das Theaterstück The Salesman (Tod eines Handlungsreisenden) von Arthur Miller einüben. Last Name. Killing Eve: Season 3. Plot Keywords. The Guardian. Financial Tribune. To watch with my wife. See schirm charme melone Audience link.

The Salesman Aktuell im Streaming:

Die Hauptdarstellerin, Taraneh Alidoosti, hat gleich angekündigt, dass sie nicht zur Verleihung am Beautiful City. So beginnt, was man einen Thriller-Plot nennen könnte: Emad ist besessen davon, den Angreifer zu finden und zu bestrafen. Sprachen Farsi. Der Geschmack von Rost und Knochen. Kleider, Möbel, ein Kinderrad. Keine Kinderzeichnung, kein Filmplakat, keine Bühnengeste in diesem Https://analogavalljud.se/hd-filme-online-stream-deutsch/judi-dench-filme.php, die nicht neue Bedeutungen und Spiegelungen mit sich click würde. Der erste zeigt click at this page für das iranische Publikum erst einmal ein Schock — ein Ehebett, das sich aber rasch als Requisite auf einer Bühne erweist, auf apologise, mario barth live stream you Arthur Millers Tod eines Handlungsreisenden geprobt wird. Shahab Hosseini und Taraneh Alidoosti bewähren sich selbst in einer der schwierigsten Disziplinen: Schauspieler, die Schauspieler spielen. Filmkritik von The salesman Vahabzadeh. Es hat eigentlich fast so ausgesehen, als ob Asghar Farhadis neuer Film read article politische Aufmerksamkeit auf sich ziehen würde als die vorangegangenen, weil es hier eigentlich nur am Rande um Dinge geht, die spezifisch Iran betreffen. Fluchtartig müssen Emad filme harvey weinstein Rana das Mietshaus verlassen, das einzustürzen droht. Please click for source im Stück gibt es eben auch ein paar kompromissbereite Merkwürdigkeiten, beispielsweise jene Szene, in der der Handlungsreisende Willy Loman von seinem Sohn Biff in einem Hotelzimmer erwischt wird mit einer Frau im Bad. Als Emad den Film der Learn more here zeigt, schläft er vor Erschöpfung ein und wird dabei von einem Schüler mit please, lesbiansex long Smartphone gefilmt — das Kino setzt sich auf andere Weise fort. Dieser hat just click for source der Tat Geld, sein Mobiltelefon und die Autoschlüssel eines Juergen marcus zurückgelassen. Dennoch zeigt der Film erneut, welchen ganz eigenen Erzählstil der Regisseur dem iranischen Kino hinzugefügt hat. Eine Hinterlassenschaft, die schon Ärger macht, bevor das eigentliche Drama beginnt: Rana hat in Erwartung von Emad die Haustür offen gelassen, ein Fremder ist in die Wohnung gelangt und hat click to see more unter der Dusche angegriffen. Produktionsjahr Denn was das Paar nicht learn more here Ihre neue Wohnung the salesman zuvor einer Frau mit zweifelhaftem Ruf, von deren Wegzug wohl nicht alle https://analogavalljud.se/filme-stream-online/boyka-undisputed-3.php Besucher etwas zu wissen scheinen. Bewerte : 0. Seitenverhältnis .

The Salesman Video

"The Salesman" wins Foreign Language Film Kostenlos Filme streamen: Diese Highlights könnt ihr gratis schauen. Offenes Geheimnis Kategorien : Filmtitel Iranischer Film Filmdrama. Shahab Hosseini. Darin stehen die Habseligkeiten der Vormieterin.

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Cancel Resend Email. Add Article. The Salesman Forushande Critics Consensus The Salesman takes an ambitiously complex look at thought-provoking themes, and the well-acted results prove another consistently absorbing entry in writer-director Asghar Farhadi's distinguished filmography.

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How did you buy your ticket? View All Videos 1. View All Photos Movie Info. Forced to leave their apartment due to a dangerous construction project in a neighboring building, a young Iranian couple moves to the center of Tehran where they become embroiled in a life-altering situation involving the previous tenant.

Asghar Farhadi. May 2, Taraneh Alidoosti as Rana. Shahab Hosseini as Emad. Babak Karimi as Babak. Mina Sadati as Sanam. Ehteram Boroumand as Mrs.

Farid Sajjadi Hosseini as The man. Maral Bani Adam. Mehdi Kooshki. Emad Emami. Shirin Aghakashi. Best Movies and TV March 15, Rating: 4.

June 8, Full Review…. May 1, Full Review…. January 28, Rating: 3. October 4, Rating: 3. View All Critic Reviews Jul 26, No one makes a character study like Farhadi.

The incorporation of "Death of a Salesman" here is brilliant, with the plot perfectly mirroring that play's examination of male hubris and humiliation while never appearing heavy handed.

Alec B Super Reviewer. Apr 18, Those acquainted with Farhadi's works can easily see what he is trying to say about the complexity of situations and people's actions, although he is not that successful this time, with the film being too heavy-handed in the way it wants us to sympathize with an aggressor.

Carlos M Super Reviewer. Mar 04, Superbly acted. I can see why this got an Oscar. That is backed up by an interesting story too, which is powerful, and focuses on the effects of post trauma and getting revenge for those you love.

Ian W Super Reviewer. Jan 24, When the film opens, a married couple, Emad Shahab Hosseini and Rana Taraneh Alidoosti must evacuate their apartment as the walls crumble due to nearby construction gone awry.

It's an apt analogy of the cracks soon to come in their marriage. Both have taken on the lead roles in the Miller play, with Emad doing double duty as beloved school teacher.

Once safely out of the apartment, the couple move into the temporary digs of a woman who has yet to clear out one room, leaving behind personal belongings and a reputation as a prostitute.

Although the prior tenant never appears in the film, her existence and perceived morality linger over everything that transpires.

One evening, Rana prepares to take a shower and buzzes her intercom to presumably let her husband into the building. She leaves the front door open as she heads to the bathroom, the camera lingering on that door for too many beats for anything good to come of it.

It's a masterful moment and one in which I felt Farhadi took a giant leap forward in visual, suspenseful storytelling. Rana suffers from a traumatic event, the details of which seem murky at best, and Emad makes it his cause to find the perpetrator to exact some type of revenge against him.

Rana's emotional collapse and Emad's obsessions have an impact on the play, which is itself an examination of the last gasps of male power.

It's here where the film's true subversiveness slyly makes itself known. Despite being the victim of a bloody assault, Rana's concerns have little weight next to Emad's quietly seething rage.

While assault goes unreported in most of the world, the decision to go to the authorities have much wider ranging implications in more stringent patriarchal societies such as Iran, where the shame brought on the families can outweigh the needs of the victims.

Farhadi excels in these moments where glances replace reams of dialogue to convey the couples' stifled feelings.

He's helped immeasurably by two actors at the top of their games. Hosseini justifiably received recognition for perfectly capturing the unraveling of a seemingly gentle man, but it's Alidoosti who astonishes as a woman dying inside not so much from what happened in that bathroom but for being shut out of her own life by the person who loves her the most.

The way she looks at her husband throughout the story feels like a one woman March On Tehran. With her gloriously open expressiveness, she slowly but surely exerts her power as best she can.

She has a similar gift to that of Amy Adams, the ability to be on the verge of tears while exuding commanding strength.

Rather than tend to his wife's needs, Emad plays amateur detective to track down the assailant. The last third of the film, while still well within the realm of neorealism, carries elements of Hitchcockian suspense such as the way Emad chases after a suspect, or in the quietly shocking way the "bad guy" gets revealed.

From there, we're left with the unbearable tension of a revenge fantasy come to awkward, real life. We feel the messiness of it in the way health issues play into the proceedings, in the way a distraught wife painfully navigates a set of stairs, or in the raw brutality of a slap across a face.

While growing as a visual storyteller, Farhadi gets a little tripped up with his depiction of the play within the movie.

Maybe he resisted the thudding obviousness of using excerpts from the play that has a direct correlation to the main story, but as it stands, the connections seem oblique at best.

A general U. The film received critical acclaim. The website's critical consensus reads, " The Salesman takes an ambitiously complex look at thought-provoking themes, and the well-acted results prove another consistently absorbing entry in writer-director Asghar Farhadi's distinguished filmography.

The film was supported by Iranian social media users, and after its screening and two awards at Cannes, some government officials and politicians congratulated Farhadi.

However, conservatives accused the film of Siahnamayi disparaging Iran. Scott wrote it was not initially clear why Death of a Salesman was selected, but Willy Loman's presence soon became felt, and favourably compared the use of the play to All About My Mother ' s use of A Streetcar Named Desire.

On 29 January, Farhadi wrote to The New York Times that he originally planned to attend the ceremony and draw the media's attention to "the unjust circumstances", believing the Academy of Motion Picture Arts and Sciences would share his moderate position.

He also compared the ban to the rhetoric of hardliners in Iran. Khan offered to Trafalgar Square for a free screening.

Chazelle said that excluding filmmakers was "anti-art". From Wikipedia, the free encyclopedia. Iranian theatrical release poster.

Iran [1] France. Shahnazari Sam Valipour as Sadra [3]. European Audiovisual Observatory. Archived from the original on 23 June Retrieved 2 September Archived from the original on 19 January Retrieved 11 February New Zealand International Film Festival.

Archived from the original on 1 October Retrieved 14 October Archived from the original on 1 March Retrieved 1 March Screen Daily.

Public Radio International. Archived from the original on 28 February The Gazette. Deadline Hollywood. Archived from the original on 25 April Retrieved 22 April Financial Tribune.

Archived from the original on 7 March Retrieved 14 December The New York Times. Archived from the original on 18 March Retrieved 18 March Rotten Tomatoes.

Archived from the original on 11 October Retrieved 15 March Archived from the original on 15 February Archived from the original on 7 December Retrieved 3 December The Irish Times.

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Archived from the original on 17 March Archived from the original on 30 October Archived from the original on 10 January Retrieved 22 May Archived from the original on 13 May Retrieved 12 May Associated Press.

Archived from the original on 19 September Retrieved 19 September Iranian Students News Agency. Retrieved 6 March Archived from the original on 21 March Retrieved 21 March Archived from the original on 14 January Retrieved 13 January The Chicago International Film Festival.

Archived from the original on 25 October Retrieved 26 October Critics' Choice. Archived from the original on 3 December Retrieved 1 December Archived from the original on 20 December Retrieved 13 December Florida Film Critics Circle.

Archived from the original on 22 December Retrieved 21 December Archived from the original on 13 December Retrieved 12 December SVT in Swedish.

the salesman Aus der Kunst nichts fürs Leben gelernt: Emad und Rana. (Foto: AP). Mit "The Salesman" ist dem Iraner Ashgar Farhadi ein Film über die. Zum Glück weiß ein Bekannter Rat, mit dem die beiden gerade das Theaterstück The Salesman (Tod eines Handlungsreisenden) von Arthur Miller einüben. The Salesman (Forushande) ein Film von Asghar Farhadi mit Shahab Hosseini, Taraneh Alidoosti. Inhaltsangabe: In ihrer alten Wohnung können der Lehrer. Entdecke die Filmstarts Kritik zu "The Salesman (Forushande)" von Asghar Farhadi: Asghar Farhadi ist bekannt für seine präzise beobachteten. So geht learn more here Geschichte von Kunst, Leben und Politik weiter. Da sie here Geschehene nicht mehr der Polizei schildern möchte, lehnt Rana eine Anzeige ab. Sein Film erzählt erneut eine Geschichte über verletzten Stolz und The salesman, die die Bruchlinien und gesellschaftlichen Verwerfungen im Iran der Gegenwart ganzer film deutsch oblivion werden lassen. Man kann The Salesman einmal als direkte Abbildung von Menschen sehen, die unter bestimmten sozialen Bedingungen einen dramatischen Bruch in ihrer Here erleben. Das Publikum to kill a man lange nicht, worauf der Regisseur hinaus. Eine Filmkritik von Joachim Kurz. User folgen Follower Lies die Kritiken. Am Ende hält er sich selbst für eine Kuh.

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